A Look at Starhawk’s Spellbinding Magic

Starhawk, a.k.a. Miriam Simos, is the famous jewitch who curiously led the revival of European paganism in America. There’s some of the usual heritage hijacking going on here, but I’ve found it goes beyond that, into the psychotechnologies of the social engineers’ Aquarian Conspiracy.

Starhawk is celebrated for reclaiming native European spirituality, while being a pioneer in anti-white narrative warfare. She’s also highly connected to the mass mind control centers of the oligarchy, which have been waging a quiet war for many decades on ethnic Europeans.

She first gained notoriety after her book The Spiral Dance came out in 1979, which hangs a crazymaking mix of (Masonic-Crowley) Wicca, Marxism, reworked Freudian psychology and Holocaustianity onto a calendar that includes the Celtic feast days. But the real world premise of her work is shaped by and builds on, the post World War II launch of epic-scale social programming against gentiles, with white Americans the primary target.

Her early books show this direct ideological lineage to MK Ultra and Frankfurt School personalities, from the CIA’s Timothy Leary to more fringe figures like John C. Lilly. Name-dropped four times in The Spiral Dance, Lilly is known for his experiments using LSD, isolation tanks and captive dolphins.

Starhawk references Lilly’s trance experience of meeting ephemeral guides that; she quotes him as saying, “may be concepts functioning in my own human biocomputer at the supraspecies level.” The idea that we’re all human biocomputers to be programmed is at the heart of today’s MK Ultra culture.

The MK Ultra Ecosystem

In her second book from 1982, Dreaming the Dark, Starhawk references CIA creator and MK Ultra architect Gregory Bateson throughout. And she credits him as influencing her own thoughts on systems thinking, a social science of micro-managing the goyim, with cybernetics a part of that.

The subtitle for The Spiral Dance is A Rebirth of the Ancient Religion of the Goddess. And in Starhawk’s simultaneous launching of the goddess movement with her first heavily promoted book, we see the implementation of Bateson’s archaic revival, and a kind of mainstreaming of the sixties hippie counter-culture.

I also see in her work a built-in contradiction or Bateson’s double-bind, that especially binds those of European descent. Because a double-bind contradiction is usually below conscious awareness, it creates a kind of distressing dilemma. The contradiction is that her work purports to be reviving the traditions of Old Europe, while further demoralizing white Europeans, mostly women, with a uniquely judeo-Marxist mindset and value system.

Starhawk claims a spiritual lineage through Victor Anderson’s American Faery tradition. But like all the spiritual strands she draws from, it’s presented co-mingled with the foundational ideas of Frankfurt School thinkers, as well as known agents of the CIA or Tavistock.

Starhawk is on the faculty at Esalen, which has been exposed as being part of a matrix of institutions that puts into practice the research of the Tavistock Institute. She’s on the faculty at the California Institute for Integral Studies or CIIS, a school with Laurance Rockefeller a primary patron, and outed as being part of the CIA left. The associations come full circle here because the Rockefeller Foundation provided the initial endowment to start Tavistock.

It’s worth noting here that the Goddess movement’s early thinkers first introduced their ideas in Sage Publications, which is a publishing arm of Tavistock.

Dominator Model and White Genocide

Nearly all of Starhawk’s books have a blurb from Joanna Macy, who has a history with the CIA, or Riane Eisler, an influential Club of Rome “social scientist.” Starhawk’s view of history rests on Eisler’s dominator model theory that Europe was a matrifocal utopia until the taller, blonder Indo-Europeans invaded around 3,000 BC and ruined everything.

Kalergi fiction, the Jewish utopia

This theory declares that Europe’s last five thousand years are based on a dominator model, and to save humanity, everything must be radically changed. It’s a way to agitate for the oligarchy’s one-world government goals, like climate change and the genocidal Kalergi plan.

Entrancement Spells

By the year 2000, in her book The Twelve Swans, the dominator model had spawned the term dominant culture, which Starhawk started equating to oppression for those not in it. Out of this comes a privilege inventory exercise, where you are conditioned to identify with target groups, those not in the dominant culture.

In another exercise, A Walk Through Town, the reader imagines first that they’re in a town where everyone “is a person like you,” and you see that in billboards and films showing. Then, you turn the corner and you’re a stranger in a place where the dominant culture doesn’t show people like you, and cops look at you suspiciously.

Besides being a very jewish flip of the story, this is an example of Starhawk’s heavy use of “techniques of overcoming resistance,” as promoted in The Authoritarian Personality, to alter the natural desires and instincts to live among your own folk.

Starhawk’s writing on the whole is meant to intoxicate with “emotional and lyrical outpourings,” wrote historian Ronald Hutton, that’s then linked to radical feminist activism and that oppressor and oppressed model of history. In his history of modern paganism, The Triumph of the Moon, he sums her work up this way:

Consistently she lauded emotion, sensation, myth, and imagination, over reason, intellect, science and scholarship. If her readers absorbed the beliefs which she was trying to inculcate, and then encountered rational objection to them, then the response which her writings seemed to recommend was blind rage.”

She urged her followers to “interrupt oppression,” like racist, homophobic or even insensitive remarks, and “Don’t put the burden on the target group to confront attacks.” Here we see the role she’s played in creating the reactionary SJWs we see running wild today.

An Anti-White Subversive in Goddess-y Clothing

Starhawk is just one of many jews involved in social engineering, but she’s perhaps been one of the most openly anti-white. Back in 1982, she wrote of a vision she had while sitting around a lit cauldron with friends on a farm in Iowa, America’s heartland.

American destroys so much – the cultures that were here before white America arrived, the buffalo, the forests, the wilderness – and yet the land is rich enough and vast enough to let us build anew.”

She dreams of dispossessing whites, so it will live up to the “promise the land whispered to my immigrant grandparents fleeing servitude in the Russian army…”.

Here she shares her Bolshevik dreams not unlike her kindred spirit Leon Trotsky, also funded by elite jewry, who displaced the kulaks (farmers) of Ukraine, leading to the Holodomor.

It was daring then to show so much revolutionary spirit, and maybe that’s why Margot Adler wrote this blurb for the book in question, Dreaming the Dark: “Starhawk has taken enormous risks to produce a book that will be a force for survival and renewal.” Who’s survival do you think Adler talking about?

And she’s still active, recently writing on the removal of Confederate statues, “let’s get rid of the dudes with the swords on horseback” and put up caregivers (men, women and gender fluid), who take care of other peoples’ children. Seriously, someone could write a book about Starhawk’s nearly 40 years of black magic, though they’d be at risk of madness deconstructing this uniquely jewish psyche.

I’ve taken a tip from Hervé Ryssen’s Understanding the Jews, Understanding Anti-Semitism, to see that her work can be decoded by a) reading it with a mirror, to see the projection and b) grasping the tendency for jews to universalize their experience. One example is her writing in Dreaming the Dark that “we” suffer from “consciousness estrangement,” a phrase she picked up from Marx. Insert “jews,” and you’ll see what I mean:

We (jews) are strangers to nature, to other human beings, to parts of ourselves. We see the world as made up of separate, isolated, nonliving parts that have no inherent value. (They are not even dead — because dead implies life.) Among things inherently separate and lifeless, the only power relationships possible are those of manipulation and domination.”

Starhawk rose to prominence in America’s jewish century, and that makes her anti-white ideology pretty widespread. What’s remarkable is that she claimed to be reviving European indigenous spirituality, while actively agitating against what remains of European culture and its values.

Source Article from http://www.renegadetribune.com/look-starhawks-spellbinding-magic/

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