Jew World Order

What if I told you the Father of reality television was a murder-for-hire operative of the CIA during the 1960’s and 1970’s? That he had a body count of 33 kills notched on his belt, with 33 ways to kill? Would you think it was far-fetched? I know it’s not quiet as impressive as the Billary (Bill and Hillary) Clinton body count numbers. It’s interesting that he stopped murdering at 33 kills, because in Masonry 33 degrees is the highest an initiate can receive on the surface level.

Think about all those reality shows that you have seen loved ones wash down  Prozac with wine, kicking their feet up to get lulled to sleep by Judeo-trash reality television. Many point to Barris’s television output as a precursor to today’s reality landscape with shows like “America’s Got Talent” and “American Idol,” which is pure escapism from true reality.

Barris created the Newlywed Game and The Gong Show. The Gong Show was the progenitor for America’s Got Talent, repackaging vaudeville for TV, with assorted acts of varying talent levels auditioning on air. Barris created several genres we now call reality shows, most ending in the word “Game.” Among them were “The Newlywed Game,” “The Parent Game,” “The Family Game” and “The Game Game etc..”

In The Dating Game singles would flirt with unseen suitors through suggestive question-and-answer sessions, with contestants behind a wall. The Newlywed Game tested a couple’s knowledge of each other with intimate queries, exposed their inner thoughts for the amusement of Jewish overlords, and the conversation usually end up about ”making whoopee.”

Barris not only created The Gong Show but hosted it. The show was a reverse talent show featuring ‘everyday people’ who did not mind exposing their vulnerabilities or answering embarrassing questions. If Barris hit the Gong on the contestant they were expelled from the show. A number of stars avoided getting gonged and went on to become famous, like comedians Steve Martin and “Pee-wee Herman.”

He was know as “The Ayatollah of Trasherola,” and took credit for Jerry Springer’s career. “I don’t think anything would have been possible without my shows,” Barris told A.V. Club. “I think ‘The Dating Game’ and ‘The Newlywed Game’ began the momentum for what eventually became ‘Fear Factor,’ ‘The Jerry Springier Show,’ ‘Joe Millionaire,’ and so on.”

Fear Factor was a show that was hosted by UFC’s Sports commentator Joe Rogan. The show was emblematic Rogan’s career. Rogan would never, ever step into a cage and get locked inside with another man to fight no-holds-barred, but rather sit at his commentary chair and judge the fight. His show Fear Factor had contestants eating hog nuts for money while Rogan, the retrograde he is, sat back and enjoyed the show. Barris is responsible for the rise of jackasses like Joe Rogan.

Barris invented The Dating Game, and the show’s impact can still be felt in dating shows like The Bachelor and The Bachelorette, “romantic” programs where would-be contestants close the doors on the cameras in order that they may further investigate their “chemistry.” The Dating Game and The Bachelor treats contests with the dignity a guinea pig gets as a subject in a mad scientist experiment. Herbert West from HP Lovecraft’s “Reanimator” treats his specimens with same level of diginity when he vivisects a guinea pig as contestants received on Fear Factor. I can see  a Bachelorette contest on Herbert West’s meat hook.

The producers of reality television (i.e. “Masters of Reality”) for The Bachelor are essentially functioning as panderers; the whole show is spun to the audience as dreamy and loving through the addition of sequences with roses and candlelight and a hope that it will lead to a trip to the sacrificial altar with a dreamy prince. The Dating Game, in spite of its constant reliance upon sexual innuendo, was less invasive to the life of a contestant than The Bachelor because the show only lasted one day and no one slept with the host on camera.

In A Shot at Love with Tila Tequila, contestants (both male and female) slept with the pan-sexual hostess in the same bed every night in order to crawl to Tila Tequila’s heart, like a maggot. The large slumber parties were a way to determine who she wants to spend the rest of her life with. To me they look like the shit that Joe Rogan made his game show contestants eat.

Contests of A Shot at Love with Tila Tequila swarmed over Tila under the camera spotlight like flies to a tellow turd, all to taste the remains of badly digested Chinese food.

The “Masters of Reality” have made Americans, and those nations inflicted by American-Judeo culture, live in a country whose government has been co-opted by the Reality TV ethos. It is easy to see the fruits of Barris’ labor. He is the originator of a particular brand of reality television that turned Donald Trump from a reality star to President of the United States. Trump is part of Barris’ legacy.

Barris wanted action, and couldn’t settle with a humiliating game shows for the goy, but actually took to killing Goyim, and alot of them, 33 murders to be exact. He earned his 33 degrees to mark his devotion to the “Great Work” of the Judeo-Masonic cause of making the Goyim more primed and ready for their own demise, and reality television did more damage to the psyche of the Goyim than the death of 33 people. Reality television has made its viewers mental slaves and numb to the pansexual cult that is on the flickering screen and behind the scenes, including the producer Warlocks on the Totem pole of the conspiracy.

The Master of reality hide behind the curtain, but through suggestive thinking impose upon the viewers what the fashionable way to live is, and what is fashionable is moral. These tribesmen behind the curtain make lovable characters to act as models for how they want humanity to act, and they want us to join the Pansexual cult. The Pansexuals behind curtain, in the control rooms of Television, are more influential to some child viewers than their own Parents, teachers or religious figures.

My name is Charles Hirsch Barris. I have written pop songs, I have been a television producer. I am responsible for polluting the airwaves with mind-numbing puerile entertainment. In addition, I have murdered thirty-three human beings.” – Chuck Barris, “Confessions Of A Dangerous Mind”

Barris was in a hell-hole New York hotel for two months writing his 1984 autobiography Confessions of A Dangerous Mind, in which revelations of being a CIA assassin was included. In his autobiography, this is related through accounts of his supposed murders of dangerous communists connected to men like Che Guevara, members of the PLO, and Latino Drug cartels.

Confessions of A Dangerous Mind was adapted into a 2002 film directed by George Clooney, distributed by the Pansexual casting couch Warlock Harvey Weinstein company called Miramax.

Andrew Lazar produced the film, and bought the rights to the film in the 1980’s. When asked if Chuck Barris was really a CIA-assassin, Lazar would use Pulitzer Prize finalist Annie Jacobsen’s book Phenomena: The Secret History of the U.S. Government’s Investigations into Extrasensory Perception and Psychokinesis as evidence that the CIA has embraced all kinds of outlandish ploys.

Barris would give contestants on his game show an all expense paid trip to Maui, for example. He would tag along with the contestant in Maui and slip out at night with his black beauty (ie. his Beretta with a silencer on the tip) to shoot an Arab Sheikh with cocaine residue on his nose as clandestine work for the CIA. Is that too far-fetched? Consider CIA experimentation on psychics, remote viewing and telekinesis. That was real. So the idea that the CIA would give a game show host a mission to go with contest winners around the world and have him do counterintelligence (i.e. contract murder), is that really too far-fetched?

Charlie Kaufman wrote the Confessions of A Dangerous Mind and also the film Being John Malkovich. That film reeked of CIA MK-ULTRA mind control tactics.

Kaufman wrote about how the game show host spent his spare time traveling the world taking out bad guys. Barris wrote about it in his autobiography, but according to Barris “He (Kaufman) wrote stuff out of nowhere..” “My mother never dressed me like a girl. I was never on drugs. The part about my father being a serial killer? That’s Charlie. He writes such good stuff.”

Barris didn’t included it in his autobiography, but word around the camp fire was he did wear drag, he loved his coke and his father was a serial killer. Those 3 personality traits make a perfect candidate for CIA work and the fact that Barris was a tribe member is the cherry on top.

“It sounds like he has been standing too close to the gong all those years,” quipped CIA spokesman Tom Crispell. “Chuck Barris has never been employed by the CIA and the allegation that he was a hired assassin is absurd. “Barris took the CIA’s response as tacit confirmation, noting, “Have you ever heard the CIA acknowledge someone was an assassin?”

Time’s Joel Stein, the same Stein that wrote “Who runs Hollywood? C’mon”, seemed to believe the book to be fiction:

[Barris] wrote the book partly because he’s a huckster: he faked a resume for NBC, peddled game shows even though he didn’t like them, and God knows what he has told his three wives. But he also fabricated his life because it might have been the best way of getting at the truth. The truth was that back when he was the Jerry Springer of his day, he couldn’t stomach being attacked for doing something he considered harmless.

“Let me ask you something – which does the most harm, a ‘Gong Show’ or the killings, pistol whippings and flying blood you see on evening ‘drama?’” Barris said in a Los Angeles Times interview. “And the critics blame me for cracking culture?

“How ‘Gong Show’ Creator and Fake CIA Assassin Chuck Barris Paved The Way for Trump” by Jonathan Leaf March 26, 2017

There would be no President Trump if there had been no “The Dating Game” and our current culture in which people want to Live Stream their tonsilectomies would not have arrived—at least not so soon—without him..

..a show like “The Apprentice” was certain, the timing of it and its form were not. President Trump then is part of Barris’s legacy. It will not be his final one though. For we have only begun the journey. The question is whether this resultant concoction— our culture— will ultimately prove so toxic that we will be gonged off the stage.

Please read my earlier article “Our Golden Toad God,” this article about Trump and this article article about “Chuckie Baby Was A Killer For The CIA.” are going to tie into one another in my upcoming article “Donald Trump, the Golden God Illuminati Sacrifice.”

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