Jew World Order

Obviously not miserable enough as you still have not made “alyiah” to Israel. Why not exercise your “right of return” to where all those luscious Jewish babes hang out. That should cure your “temptation”.

Besides, it was Jews who created these miserable female creatures you hate, so why not take responsibility for your tribes creation? Oh wait, you’re a Jew and as we all know, Jews are never ever responsible for anything but helping to make the world a better place.

Jewish predation upon white females is nothing new as evidenced by the quotes below. And there’s that infamous “genocidal,” Jewish bent displayed once again. Every time a Jew talks about “genocide”, they telegraph what they know is the only answer to the Jew – total extermination. “It’s either us or them, we cannot exist together!” screams the Jew .

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Louis B. Mayer (head of MGM) had “a private life [that] was not always so praiseworthy,” notes Norman Zierold, “… Although married, he had a keen eye for feminine beauty and courted women at a clip in keeping with his extravagant nature.” [ZIEROLD, p. 319] “In his more delicate personal relations with established and aspiring actresses,” adds Bosley Crowther,

“[Mayer] was naturally careful and decorous, but none the less vigorous in pursuit of those he lusted after, frequently in vain … He once said to Luise Rainer, ‘Why don’t you sit on my lap when we’re discussing your contract the way the other girls do?’ A little adroit lap-sitting would go a long way, they found. He was hardy and persistent, however. Tirelessly he laid siege to some of the more formidable actresses, rewarding them with richer roles or disciplining them with poor assignments, in maneuvering to accomplish his private aims.” [CROWTHER, 1960, p. 263]

Mayer was alleged to have “once insisted that ‘the Talmud says a man is not responsible for a sin committed by any part of the body below the waist.’” [GABLER, N., 1988, p. 389]

Legendary actress Lana Turner remembers what it was like for her as a teenager at MGM: “Often in those early years at MGM I’d see a young actress with more experience than I had, and I’d think, ‘Oh boy, there’s competition for me.’ Six months later she would have fallen by the wayside. When I asked, people would say, ‘You’re so dumb!’ It had to be spelled out for me that those six-month option girls would never go on to a movie career — they were there for the benefit of management. That was what Zeppo Marx [Turner’s first agent and one of the famous Marx Brothers] had meant when he told me to say I was eighteen [she was fifteen when signed]. If I got one of those six-month-option deals, I’d better lie about my age — for their protection.” [TURNER, L.,

Actress Debbie Reynolds recalls what she had heard about another Jewish heir to the MGM movie hierarchy: “One of my first dates was Arthur Loew, Jr., whose family were the majority stockholders in MGM … Driving home after dinner he told me that he’d like to date me again. ‘I don’t think that will be possible, Arthur,’ I said. ‘But why?’ he asked, as if I’d made him feel he’d done something wrong. I didn’t know what to say. I didn’t want to tell him. ‘Because all the girls tell me you’re a wolf. ‘Wooolf?’ he repeated, as if he had never heard the word before. ‘Well, yes. That’s what I’ve been told and that wouldn’t work out.’” [REYNOLDS, D., 1988, p. 67) [Reynolds notes that in a few future dates she never had any troubles with him]

Shirley Temple (Black) recalled her experience as an 11-year old movie star the FIRST time she went to the MGM offices with her mother: “Eight months had elapsed since leaving Fox in May 1940, and on this first
executive visit under my new Metro-Goldwyn-Mayer contract, Mother and I were split up, she ushered away by general manager Louis B. Mayer and I left alone with producer Arthur Freed.

Best known as producer of the blockbusting The Wizard of Oz, Freed was rumored in some adult circles to have an adventuresome casting couch. At the time I knew none of this, nor would I have recognized such furniture even when sitting on one. To visit an executive of such stature was enough to send my spirits soaring.

‘I have something made just for you,’ he continued, fumbling in his lap. ‘You’ll be my new star!’ That phrase had last been used when I was three years old in Kid in Hollywood. Obviously, Freed did not believe in preliminaries. With his face gaped in a smile, he stood up and abruptly and executed a bizarre flourish of clothing. Having thought of him as a producer rather than exhibitor, I sat bolt upright. Guarded personal exposure by both brothers and Father had maintained me in relatively pristine innocense. Not twelve years old, I still had little appreciation for masculine versatility and so dramatic was the leap between schoolgirl speculation and Freed’s dazzling exposure that I reacted with nervous laughter. Disdain or terror he might have expected, but not the insult of humor. ‘Get out!’ he shouted, unmindful of his disarray, imperiously pointing to the closed door. ‘Go on, get out!’ [BLACK, S., 1988, p. 319-320]

Telling her mother about the incident as she drove home, her mother told her that she too had similar troubles, fending off a sexual advance from Louis Mayer in HIS office at the SAME time. [BLACK, S., 1988, p. 320] “Usually solemn,’ writes Temple, “[Mayer’s] eyes glinted. Surely [Temple’s mother] could recognize real sincerity
when she saw it. Never forget, he continued, at MGM we are a family. We take care of our own. Slipping down off his chair, he approached the sofa and sank down beside her, uttering a contented sigh. Surely she was the most unique mother in the world, he said. Someone who should be a star in her own right. He grasped her hand, pulling her toward him. Mayer’s opinion of his personal prowess was rumored to be overblown, but not the power of his office. Reluctant to test either, Mother picked up her purse and retreated out the door, walking backwards. Unlike
my reaction of hilarity to Freed, hers was to be grieviously affronted. Not for nothing was the MGM lot known as the ‘factory,’ a studio perfumed with sultry, busty creatures with long legs and tight haunches, and more than its quota of lecherous older men.” [BLACK, S., 1988, p. 320]

Shirley Temple was probably safe from prominent MGM Jewish film director George Cukor:

“Although Cukor had been in Hollywood only a year, his sexual preference was not a secret in the film community, [actor William] Bakewell recalled, ‘People said, ‘You guys be careful, watch out for this man, he is queer’ … Shortly after his arrival in Hollywood Cukor befriended actor William Gaines and his gay entourage. Cukor and Haines had some notoriously wild nights on the town and were even arrested. Friends of Cukor are vague about the incident, which he never talked about, but they held that his arrest was a turning point. Said director Joseph Mankiewicz, who befriended Cukor through his sister-in-law, Sara Mankiewicz, Cukor’s friend: ‘George got very frightened when he and Haines were arrested in public. Once he became an MGM director, he calmed and settled down’ … He was determined to help other new gay artists in the film community. Said Mankiewicz: ‘Homosexuals would call George as soon as they arrived in Hollywood, and if he liked them, he would introduce them to other members of his elite.’” [LEVY, E., 1994, p. 48]

In the late 1950s Cukor met George Towers, “a stunningly WASPish-looking blond [who Cukor’s friends believed] was a hustler.” Cukor paid for Towers’ subsequent years studying at USC law school. “[B]ecause Cukor was used to paying for sex, providing Towers with a ‘good education’ seemed like a worthy cause … Upon Towers’ graduation from law school, Cukor was instrumental in finding him a job with his lawyers’ office … Later Cukor arranged for Towers to become a partner of the J. William Hayes law offices.” LEVY, E., 1994, p. 256-257]
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Jews are by nature, filthy, degenerate, disgusting creatures and there is ample evidence to prove such statements.