Paul Joseph Watson’s Defective Protest of Modern Art

One of the documentaries that help me see the good in the National Socialist program is Architecture of Doom.

Concern with art, health, and the beautification of the work and home environment form a solid unifying community mission. A community mission to promote racial health reaches all spheres. Each area of culture reinforces all other elements so that it is congruent. Nothing is shocking. One aims to pleasantly surprise and enchant. In America, however, the arts fight the people.

The National Socialists understood that modern art poisons the race and that Jews cause modern art, just as they cause communism. Identifying the Jew as the cause of the menace is a necessary step to eradicating the disease.

Recently, PJ Watson of Prison Planet showed his outrage for modern art. He does what any conservative lackey of the Jews does. He calls it pretentious, elitist, and scatological, and that’s that. He thinks he really made a difference. Almost anyone can see that without the help of Paul Watson.

Unfortunately, Watson doesn’t call out the Jews. If modern art is diseased art, where is it coming from? What is the cause? Wouldn’t it be good to establish the cause, so that we can remove it? Why can’t he provide a deeper analysis?

Jews cause modern art as a matter of race war to soil and obliterate the white race. Jews demonized and destroyed the white man in art, so they can slaughter us in real life. If we lose our dignity in art, we can lose our dignity anywhere. Art establishes the white man’s dignity, stature, and cultural value. Asymmetric self-defense by art is worth legions.

Scott Roberts brought this video up.  The “white man dancing” refers to the white man set on fire.

Art is the beautification, veneration, and celebration of the race. Art is the spiritual immune system. Without a conscious racial mission, art has no concept. Without racial glory as its aim, art is dead. For our purposes, we may say, an atheist is someone who doesn’t believe in the white race. Art makes us believers in the white race! Put like that, you can see how important the arts are for our self-preservation.

The Jews being a biological group of half-breeds, per their Halachic law, reject art. “No graven imagines.” Their iconoclasm is resentment because the Jew has no use for art. He has no health to cultivate, no racial purity to cultivate. Jews are a biological group related down the female line, but anything birthed by a Jewess is a Jew. That is why you get black Jews, white Jews, Asian Jews, and Semitic Jews. With whites, you only get a white baby from two white parents. That’s the mark of a genuine race.  Whites need art to protect their racial purity. Jews are a social construct that has no need for it. Art by its nature promotes racial purity. This exposes the Jew and excludes him from cultural prominence. Even a racehorse, or chicken, has purity in its own way and can be an object of beauty and prominence. Not the Jew.

Just as Jews project their crimes on others, they project their nature on everyone in their snide attack that race as a social construct.  For Jews it is. The Jew is a social construct of two-faced, half-breed, genocidal maniacs that glorify themselves as god’s gift to the world. If they weren’t so powerful, they would be ridiculous. Art can help destroy their power.

It is hard to paint a Jew without falling into caricature, just as it is very hard to paint non-whites with 3D curvature. Notice the white highlights on the darkest figures. It is very hard to get that right. One must over-paint the light to avoid a dark flat result. Every instinct wants to paint the skin dark.

Art must embarrass the Jews. Even Norman Rockwell, talented as he was, could see how dominant a white figure is in a sea of non-whites. You can see how he had to balance out the white family with white hot robes on the Jew and the other robed character, meaning art is really an expression of, and best suited to, the white race.

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On Watson’s facebook page I wrote:

You totally miss the mark. Modern art is part of the Jewish agenda of white genocide. Jews don’t want graven images. Modern art is iconoclasm to demonize and obliterate health and beauty of the WHITE WEST. Ever since Jews were emancipated and took over the art world, it became a sewer. Art has a biological basis to beautify and model healthy whites. Destroy art and you kill the race. “Elites” are the Jews. Who are Saatchi and Saatchi? Who bought the shark? (Steven A. Cohen) Modern art didn’t exist, until the Jew took over. Hitler was against modern art because he understood what it was all about. Modern art is meant to disrespect you. This is just like communism. If you don’t say Jews cause communism, you can’t stop it. You can’t stop Cultural Marxism, if you don’t realize that Jews cause it. Who are the scatological-fixated parasitical elitists?

Watson could have done some investigative journalism on the boards of these modern museums to find Jews, or investigate the contributors of the major gifts to find Jews, or looked at some of the biggest purchasers of modern art, who will be Jews.  Modern art is a Jewish industry. National Vanguard has a good article here and Radio Islam points out the same here.

Lasha Darkmoon addresses it here.

Watson should not waste his breathe if he isn’t willing to name the Jew, and he isn’t willing. Like Alex Jones who yapped “Jew Jew Jew Jew Jew,” these wind bags aren’t able to see the danger. These types are deer in the headlights. Jews love them. Superficial conservatives never said Jews cause communism. They were always on the defensive, just as they are on the defensive on all issues. They can’t stop Cultural Marxism. They don’t name the Jew as the cause. They can never mount a rally against the enemy, if they don’t name the enemy. They can say radical Islam, but can they say Jew? Can Watson and Alex Jones realize that Jews have killed 100 million with their mass murder communism, and that they have no right to ignore the role of the Jews in anything? They have no right to be cowards or be condescending Jew-servile lackeys looking down on others who are Jew-wise.

Hitler and the National Socialists had a genuine integrated worldview that, as common sense would have it, works. If you want to promote health, you need art; the biological basis of art is the race. The arts cultivate the race and a healthy race cultivates its arts. By stopping the Jews, Hitler could stop communism and modern art. The argument has so much power, it is sad that Watson doesn’t have the intellectual and moral talent to appreciate and articulate it.

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