Posts Tagged ‘wotanism’

Nature of Wotanism – The Root of Thought and Being

By Ron McVan The place of myth is at the very root of thought and being. All races, without exception, establish an ethnic mythology upon which strength, action, culture and identity are built. Myth builds the spiritual pre-history of a society that speaks to us from a very ancient past. Mythology is one of the […]

Wotanism – Laws of Life

Via Ron McVan “Wotanism is a teaching of reality based on sharpest scientific knowledge and their logical expression”. It’s piety is “the unconditional bow to the divine laws of existence made known to man. –Its prayer is: Courageous fulfillment of the resultant duties.” Wotanism wins its truth from the view of the world. It is […]

The Essence of Wotanism

By Elsie Christensen (1983) The basic aims and principles of our formulation of Wotanism break nicely into four parts: Biological, Historical, Spiritual and a comment on the Communal. Biological: A religion, a culture, does not spring up out of thin air. We cannot create a religion. It is the blossoming of a race of people. […]

Dr. David Duke Says Donald Trump Backs Cucks Against a Wall on Our Right to Preserve Our Heritage!

Today Dr. Duke focused on the call yesterday by Donald Trump to shut down Muslim immigration. Dr. Duke made the case for Americans and Europeans preserving their heritage, a right which is universally recognized for every other nation on earth. However, our Zio overlords have effectively brainwashed too many of us to believe that any […]

The Mystical Paintings of John Duncan

John Duncan [1866-1945] was born in Dundee, Scotland, the son of a cattle dealer, and was studying at the Dundee School of Art by the age of eleven. He was a great experimenter with techniques and much of his work is in tempera. His subject-matter was rooted in the Celtic Revival and the Pre-Raphaelite […]

The Mystical Paintings of John Duncan

John Duncan [1866-1945] was born in Dundee, Scotland, the son of a cattle dealer, and was studying at the Dundee School of Art by the age of eleven. He was a great experimenter with techniques and much of his work is in tempera. His subject-matter was rooted in the Celtic Revival and the Pre-Raphaelite […]

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