The Hypocrisy of the Music Industry: A Real Case Against the Defilers of Western Civilization

The impact of music cannot be underestimated. It is a powerful form of communication used to express a feeling and impart a message to others. As an artistic expression of one’s spirit, music is one of our greatest sources of inspiration; one that mutually arouses and evokes the spirit of its listeners. Whether it’s used to brighten up your day or motivate you to greater heights, everyone needs a soundtrack to their lives.

Science shows that music can enhance brain activity, bolster immune function, lower stress hormones, and reduce markers of inflammation. Under its influence, music can make your hair stand on end as it induces feelings of euphoria and entrains your brain from a state of numbness and sadness to a state of liveliness and happiness. Music is rightfully considered one of man’s most beloved discoveries and cultural treasures, which is why so many people insist that it be freely expressed.

However, over the last century our music has undergone a gradual process of decay. Mainstream music no longer brings true meaning to our lives. In fact, the music of today is so disharmonic and unnatural that the act of listening to it warps our desires and debases our existence. With lewd lyrics and low vibrations, our music propounds materialism, narcissism, and lust into our heads.

Despite the perverse themes spread by the music industry, there is, however, one musical genre that has been deemed too taboo and too “dangerous” to be promoted by record label executives or sold by retailers. It is a music driven into obscurity by powerful and influential people who have worked tirelessly to ensure that it never reaches our radio waves or television screens. This music is known as Resistance music to its enthusiasts and labeled as “hate music” by its antagonists; which are comprised of a consortium of mass media executives, politicians, and psychoanalysts.

The performers of Resistance music sing in opposition to mass immigration, miscegenation, Marxism, Zionism, and Jewish supremacism, while championing ideals of identitarianism, nationalism, and racial and cultural pride. In essence, Resistance music is an artistic form of activism used to protest the disenfranchisement white people feel they are facing in their countries. Although Resistance music has been met with unrelenting hostility and organized opposition since its inception, its support and popularity continues to swell to a critical mass as more and more people grow discontent by the threat of globalism and “diversity.”

White Pride: A Menace to Society?

The argument made by detractors who have blacklisted Resistance music, is that ethnocentrism (only when expressed by Whites) has not only a bad influence upon human behavior, but is a threat to public health. In other words, if you’re a white person who has reservations about waves of third-world people flooding into your country and becoming permanent residents, then you are just an evil racist who needs serious psychological counseling. And according to so-called “experts,” this is no exaggeration!

In a book titled, The Authoritarian Personality, co-authored by four Jewish intellectuals, it was declared that ethnocentrism expressed by Whites (and only Whites) is an indication of psychiatric disorder. This audacious claim has also been propagated by the works of other famous Jewish psychologists, including Richard Hofstadter and Erich Fromm. By persistently demonizing the Western patriarchy and by appealing to the altruism of white people, these personalities were able to radically dismantle Western schools of thought and establish their ideas as the foundation of modern-day psychology and sociology.

 A Double Standard

Upon closer examination of this institutionalized attack on Western identity and culture, including the music that motivates its revival, one can’t help but notice the blatant hypocrisy. If music is an influential form of expression that should be exercised with caution, why are such corrosive forms of expression not only approved, but manufactured and distributed by the music industry? The same industry that vehemently condemns so-called “hate music.”

One would think (or at least should think) that if the music industry peddles the vilest forms of human depravity; grooms and glamorizes the most vulgar personalities, then surely white people should be allowed to musically express Eurocentric views.

Oddly enough, by today’s standards, this is a socially acceptable look for white youth:

And this is not:

People must begin giving conscious thought as to why the criminal subculture of Rap music and the sadistic subculture of Death Metal are endorsed and sponsored, while White Pride music is deemed morally and socially reprehensible.

Nihilism, Satanism, sadism, masochism, sexual bondage and torture, necrophilia, suicide, and animal sacrifice are all common (socially acceptable) themes of the music genre known as Death Metal.

On the other hand, sexual promiscuity, prostitution, murder, armed robbery, gang violence, drug trafficking, misogynism, and racism directed towards white people are the common (socially acceptable) themes of the music genre known as Gangster Rap.

The glamorization and solicitation of such deplorable behavior has certainly dealt a detrimental blow to the psyche of impressionable youth. The masters of media and entertainment have socially engineered a culture of mass psychosis. Every sort of unconscionable imagining, every sick and sordid fantasy conceivable to the human mind are all considered fair game by today’s most reputable record companies. The damage and widespread impact of such repugnant and grotesque ideas is compounded when they are artistically fashioned and sold on a silver platter to the public as not deserving of our scorn, but reversibly, worthy of our adoration.

Inciting Hatred Against Whites

In addition to sex, drugs and violence, racism (as long as white people are on the receiving end) has become a generally accepted social norm in Western society. In terms of music, if an “artist” disparages or threatens white people, this is a respectable form of artistic expression. Below are some of the racially-charged lyrics of several different black rappers who have been recruited by the music industry to culturally enrich our lives.

We gonna order take out and when we see the driver
We gonna stick the 25 up in his face……
White boy in the wrong place at the right time
Soon as the car door open up he mine
We roll up quick and put the pistol to his nose
By the look on his face he probably shitted in his clothes
You know what this is, it’s a stick up
Gimme the do’ from your pickups
You ran into the wrong niggaz”

Artist: DEAD PREZ
Song: HELL YEAH
Album: RBG: Revolutionary But Gangsta
Label: SONY
Released: 2004

Notably, Rolling Stone Magazine gave the above album three stars. Also worth noting, the music video to this song depicts an unsuspecting white family who gets lost on the wrong side of town and carjacked by a gang of black delinquents. The subliminal message behind the music video instills an anti-white, pro-black sentiment within the viewer by perpetuating the idea that modern-day whites are naïve and inept weaklings who deserve to have their sheltered existence shattered by lawless black hoodlums. The remainder of the music video showcases Blacks committing identity theft and welfare fraud.

Kill the white people
We gonna make them hurt
Kill the white people
But buy my record first”

Artist: APACHE
Song: KILL D’WHITE PEOPLE
Album: Apache Ain’t Shit
Label: TIME WARNER
Released: 1993

Bust a Glock; devils get shot
When God give me the word I herd like the buffalo through the neighborhood;
Watch me blast I’m killing more crackers than Bosnia-Herzegovina, each and everyday
Don’t bust until you see the whites of his eyes, the whites of his skin
Louis Farrakhan
Bloods and CRIPS, and little old me, and we all getting ready for the enemy”

Artist: ICE CUBE
Song: ENEMY
Album: LETHAL INJECTION
Label: PRIORITY RECORDS
Released: 1993

This violent, anti-white rhetoric in Rap music goes on and on. And yet, an endless stream of negative media attention is aimed exclusively at Pro-White music, while the most violent and racist “music” in existence is black Rap and Hip Hop, which instead receives acclaim and applause from the press.

“Hate Speech” in America

It is not ironic that the same people who were once alienated, desperately crying for equality and free speech in America, no longer respect those liberties now that they have procured the power to silence their opposition. In America, the performance and distribution of Pro-White music will not land you in jail, but nevertheless, affiliating yourself with it equates to social suicide. It is banned from sale by all major record distributors and retailers, as well as publicly smeared by the press. You will never find a single pro-white performer land a major record deal or find their CD on the shelf of any major record store. Their internet advertisement campaigns and promotions are censored by YouTube, Facebook, and Twitter administrators. Their means of accepting online payments via merchant accounts with PayPal and credit card companies are shut down. And now, with the end of net neutrality, their websites are omitted from search engine results. Their hopes of ever becoming a respected artist or sustaining an income in the music industry are long gone. Social alienation, financial deprivation, and censorship are the penalties that come with “freedom of expression” in America.

Although persecution rather than prosecution is the main weapon of choice aimed against outspoken white people, there have been some exceptions to the rule of non-intervention between the legal system and free speech in America. For example, the corrosive influence of Rap music has had such a dreadful impact on black crime rates that the mayor of Chicago banned public performances by a Chicago-based rapper known as Chief Keef. Mayor Rahm Emanuel’s office issued a statement calling the rapper an unacceptable role model whose music promotes violence and poses a significant public safety risk.

That is quite a warranted statement when black crime rates have snowballed into a menacing pandemic. In fact, out of the six leading cities with the highest murder rates in the United States, five are majority black in population (Baltimore, Detroit, New Orleans, Birmingham, and Jackson). But practical discussion of this big, foreboding elephant in the room is forbidden; unless of course the blame for the problem is conveniently directed at everyone and everything, but the people themselves.

“Hate Speech” in Europe

An important aspect of Resistance music is its criticism of and opposition to “ZOG,” an acronym for Zionist occupied government. Lyrically, this identifies Zionist Jews as the culprits behind international finance, the global stock exchange, gangster capitalism, open-border immigration policies, violation of the US Constitution, false flag attacks, wars in the Middle East, espionage, and the illegal occupation of Palestine. The problem is, the act of speaking out against Jews is a thought crime. In Europe, your retribution for speaking out against ZOG comes in the form of a prison sentence.

One such example occurred when members of the Michigan White Pride group known as Max Resist were convicted and jailed for violating Sweden’s “hate laws.” During the group’s concert outside Stockholm, Sweden, singer Shawn Sugg and guitarist Andrew Miokovic were arrested for giving the Roman salute and shouting, “Sieg Heil!” In an interview, the band’s lead singer highlighted the hypocrisy of Sweden’s “hate speech” laws; laws which are ostensibly in place to protect groups from discrimination, yet discriminate against people like him for their political views. He further demonstrated the inconsistency in such laws by arguing that Ozzy Osbourne can bite the head off a bat while other artists perform lewd sex acts on stage, and yet he gets arrested for a simple salute. Clearly, there is an obvious inconsistency between the democratic values countries are claiming to uphold and their Orwellian laws that infringe on basic civil rights.

The Illusion of Western Democracy

The United Nations Universal Declaration of Human Rights, adopted in 1948, provides, in Article 19, that:

Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers.”

In complete contradiction to this declaration are the “hate speech” laws that smother the voices of discontent Europeans. National governments can circumvent this UN declaration because technically it is a resolution rather than a treaty; and as such it is not legally binding in its entirety on members of the UN. This means that the governments of the member nations of the UN can decree laws that violate the free speech rights of their citizens.

In order for a population of people to willingly forfeit their fundamental liberties, there must be a convincingly noble cause behind such draconian measures. Under the pretense of “equality” and “tolerance,” special interests have pressured legislators to enact “hate speech” laws as a means to silence and imprison critics and political dissidents.

Who do “Hate Speech” Laws Protect?

Whether you agree or disagree with hate speech laws, the question is, can a white person espouse racial pride on any legitimate basis? Or, are such sentiments always just the incoherent ramblings of evil “white supremacists” in need of penitentiary rehabilitation?

Clearly, you can criticize and even threaten Whites as a group at your own discretion. The truth is, the brunt of hate speech laws is reserved for racially-conscious white people who are vocally opposed to their own demographic displacement and cultural dispossession. In other words, if a white person expresses their resentment towards ethnocidal immigration policies and publicly identifies the people responsible for instituting such policies, that is a hate crime worthy of a prison sentence. If some hip gangster wannabe sings about raping women, doing drugs, and killing white people, that is freedom of speech worthy of a record deal.

The Single Common Denominator

Coincidence or Conspiracy?

So, Jews only account for about 2% of the US population, and yet they are cooperatively pulling the strings of every major record label in the music industry– one of the most powerful trend-setting instruments in society?

Maybe Jews are just natural-born music lovers! Whatever the case may be, one thing is certain. Jews have firmly established themselves as the prevailing influence over our popular culture and national consciousness. And have they abused this position of power? Well, judging by the scatological filth and anti-white propaganda perpetually churned out by Hollywood and the music industry, the answer is evidently YES!

What soon gave me cause for very serious consideration were the activities of the Jews in certain branches of life. Was there any undertaking, any form of foulness, especially in cultural life, in which at least one Jew did not participate? I discovered the Jewish activities in the press, in art, in literature and the theatre. One needed only to look at the posters announcing the hideous productions of the cinema and study the names of the authors in order to become permanently adamant on Jewish questions. Here was a pestilence with which the public was being infected. I began to carefully investigate the names of all the fabricators of these unclean products. The result of that inquiry was still more disfavourable to the attitude to which I had hitherto held in regard to the Jews. The fact that nine-tenths of all the smutty literature, artistic tripe and theatrical banalities, had to be charged to the account of people who formed scarcely one per cent of the nation – that fact could not be gainsaid.” -Adolf Hitler, Mein Kampf , Chapter 2

The Day of Reckoning

The thought of white people snapping out of their hypnotic guilt complex, waking up to racial realities, and growing impervious to the slurs and slanders of anti-white agitators strikes fear and panic in those who continually seek our disempowerment. The sleeping giant is waking from his slumber, and all of the “political correctness” and “hate speech” laws only make him grow more and more restless. Resistance music will serve as the war drum to our wakeup call.


Sources Cited

https://en.wikipedia.org/wiki/Freedom_of_speech_by_country

http://www.mtv.com/news/2868/news-flash-nazi-punks-convicted-for-hate-crime/

https://en.wikipedia.org/wiki/List_of_U.S._cities_with_large_African-American_populations

http://bismarcktribune.com/news/national/the-cities-with-the-highest-murder-rates-in-the-us/collection_5a789407-4d43-5403-ad56-7c47880bda8e.html#anchor_item_27

What will happen now that net neutrality is gone? We asked the experts

http://www.longhousepoetry.com/deadprezgang.html

https://www.billboard.com/articles/news/6649099/chief-keef-chicago-concert-shut-down-rahm-emanuel-mayor-hologram

https://en.wikipedia.org/wiki/American_Jews

http://www.finalcall.com/artman/publish/Entertainment_News_5/article_8500.shtml

Top 12 Brain-Based Reasons Why Music as Therapy Works

http://www.tightrope.cc/rap.htm


Source Article from http://www.renegadetribune.com/hypocrisy-music-industry-real-case-defilers-western-civilization/

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