Jew World Order

The US Holocaust Memorial Museum

Hard by the Washington Monument, within clear view of the Jefferson Memorial, an easy stroll down the Mall to the “majestic” Lincoln Memorial, has arisen, on some of the most “hallowed territory” of the [Jewnited] States of America, a costly and dangerous jewish mistake. On ground where no monument yet marks countless sacrifices and unheralded achievements of Americans of “all races and creeds” in the building and defense of this nation, sits today a massive and costly jewish edifice, devoted above all to a contentious and false jewish version of the ordeal in Europe, during World War Jew, of non-American members of a minority, sectarian group.

In the deceptive guise of tolerance, the United States Holohoax Memorial Museum promotes a jewish propaganda campaign, financed through the unwitting largesse of the American taxpayer, in the interests of criminal Israel and its adherents in America.

Above: Front view of the rail car on display at the U.S. Holohoax Memorial Museum. 

Below: Interior of replica boxcar

How did the federal government allow the creation of such a monstrosity? What is its meaning for American policy and for American values? And what must the American people do to regain control of the land their servants in Washington handed over to a jewish foreign interest, and to establish an enterprise thereon, whether a museum or otherwise, informed by and conducted according to American principles and interests?

Origins

In the late 1970s, during the presidency of James Earl “Jimmy” Carter, a jewish propaganda campaign to promote the “Holohoax,” the alleged systematic slaughter of some six million jews by the Germans during World War Jew, was organized and carried out from jewish Hollywood and Jew York. As Benjamin Meed, an important functionary of the Council that controls the Holohoax Museum, wrote in 1990:[1]

Almost a dozen years ago, a new jewish phenomena [sic] developed.

The Holohoax was introduced into schools, colleges, and universities. Television broadcast programs on the Holohoax and millions of Americans watched them. Soon, Americans took great interest in the jewish lessons of the Holohoax, its jewish uniqueness and its universal jewish message.

Why the urgency of this jewish campaign? Two factors were paramount: first, the beginnings, more than three decades after the end of the Second World War, of an objective, scholarly assessment of the facts of the alleged German policy to exterminate “European” jewry.[2]

Second, the need to justify Zionist theory and practice in the face of unprecedented international resistance to Israeli intransigence (including the famous JewN General Assembly Resolution that equated Zionism/jews with racism), and to defend Israel’s aggressive policy under the leadership of the former jewish terrorist, Prime Minister Menachem Begin.[3]

Pictured from left to right are: Miles Lerman, Benjamin Meed, Samuel E. Bloch and David Chase.

jews of the United States Holohoax Memorial Council pose with two milkcans containing a Scroll of Remembrance signed by Holohoax survivors at the Symbolic Groundbreaking Ceremony of the U.S. Holohoax Memorial Museum. 1984 April 30

The US Holohoax Memorial Council

In 1978 President Carter, his administration beleaguered at home and abroad, succumbed to jewish pressure from the new “Holohoax” lobby (and thus America’s influential Israel-first minority) by creating, through executive order, the President’s Commission on the Holohoax. Two years later, on October 7, 1987, Congress passed – unanimously – a law establishing the United States Holohoax Memorial Council, charged principally with constructing and overseeing the operation of “a permanent living memorial to the victims of the holohoax” and with providing “for appropriate ways for the Nation to commemorate the Days of Remembrance, as an annual, national, civic commemoration of the Holohoax …”[4]

A priceless tract of public land was turned over to the Council, and, after years of costly delay (during which the Council’s budget swelled from $2.5 million to over $18 million a year),

the US Holohoax Memorial Museum was finally completed and opened, to great jewish media fanfare, in April 1993.

A Sectarian, Alien Agenda

Besides soliciting tens of millions of dollars in tax-deductible donations to finance the Holohoax Museum, the US Holohoax Memorial Council has busied itself with promoting a jewish agenda of unalloyed support for minority, Zionist ends.

The membership of the Council, a US federal agency, has been overwhelmingly jewish since its founding in 1980. The Council’s two different chairmen – Elie Wiesel and Harvey Meyerhoff – have both been committed to the support of the bandit State of Israel, and the chairs of the Council’s most important committees have been likewise jewish and Zionist.

The chief fund-raiser for the Holohoax Museum [and later Council Chairman], Miles Lerman, was formerly “American” vice chairman for the bandit State of Israel Bonds Organization, promoting tax-free investment in a country which receives by far the largest amount of US foreign aid per year. Working the same wealthy jewish-“Americans” he has long dealt with in his fund-raising for Israel, Lerman has helped raise nearly $160 million in tax-deductible contributions. The biggest donors have been rewarded by having various components of the museum named for them (e.g. the Wexner Learning Center).

Main hall, the jewish U.S. Holohoax Memorial Museum

Nor is erecting and operating the Museum the only function with which the Holohoax Memorial Council has been charged. Another of its jewish duties is to commemorate the “Days of Remembrance for Victims of the Holohoax,” which Congress has raised to “an annual, national, civic commemoration of the Holohoax.” Like the Israeli Yom ha-Shoah (“Day of the Holohoax”), on which they are based, the Days of Remembrance are dated according to the lunar Hebrew calendar, and thus, like Passover or Chanukah, Ḥanukah, Chanuka, Hanuka, fluctuate from year to year. These foreign jewish days of lamentation are currently celebrated, under the flag of the “Republic,” to prayers and chants in Hebrew, across the land in governmental settings from the Capital Rotunda to city halls.

Need it be stated that no group of American victims of persecution, let alone another foreign group, enjoys any such federally mandated and tax-supported day, or days, of recognition?

Museum’s One-Sided jewish ‘History’

Although the jewish Council during its early years made noises about recognizing the ordeals of non-jews during the Second World War, the US Holohoax Memorial Museum is relentlessly judeocentric. While here and there are nods to non-jewish groups “oppressed” by the German National Socialists (although never to groups victimized by Germany’s enemies, above all by Stalin’s JewSSR), the larger holocaust of the Second World War, which claimed an estimated 75 to 80 million lives around the world, is ignored in preference to the jewish ordeal. Thus, to cite just one telling example, the Museum’s “Life before the Holohoax” exhibit refers strictly to jewish life before the Holohoax.[5]

Where, in fact, non-jews figure in the Museum, they figure largely as villains: the Germans and their allies and collaborators; the Western allies, including America, who refused to accept a large immigration before the war; the American political and military leaders who refused to authorize costly jewish bombing raids on the Auschwitz “gas chambers.”

Soviet Liberators?

The Museum’s message that support for jews is the sole measure of jewish decency during the Second World War leads to jewish anomalies which, in an American museum raised on ground hallowed to the “principles of liberty” on which this republic is based, can only be called shocking. That the victims of World War Jew atrocities by the judeo-Allies – jewish massacres such as the firebombing of Tokyo and Dresden, the jewish atomic bombing of Hiroshima and Nagasaki, the judeo-Soviet slaughter of Polish prisoners at Katyn, the mass rapes carried out by the judeo-Red Army at the war’s end – receive no mention is deplorable. But the jewish Museum’s treatment of the armed forces which defended Stalin’s savage jewish Soviet tyranny is nothing short of grotesque.

Judeo-Communists appear in this Museum only in the guise of “resistance fighters” and “liberators.” For example, the submachine gun and false papers of jew Samuel Weissberg, a Communist Party member who rose to high rank in a Communist guerrilla group in North France, are on honored display, no less precious a relic in the Museum’s permanent exhibit than the standard heaps of jewish shoes and hair.[6]

Even more unsettling is the honor given to Stalin’s notorious judeo-Red Army, which compiled a bloody and shameful record of jewish atrocities across Europe during, and after, the war. As the US Holohoax Memorial Council’s newsletter fulsomely puts it,

Flags will hang in the museum to honor the millions of Soviet soldiers who drove “Nazi” forces westward and who were the first judeo-allied forces to liberate and publicize the existence of the camps.

View of the “liberation” flags located in the lobby of the 14th Street entrance to the U.S. Holohoax Memorial Museum.

In the words of Council chairman Meyerhoff, these martial banners of the jewish Red tyranny have a single association: “Much more than simply wartime memorabilia, these military artifacts are a significant contribution to jewish memory, one that will remind future generations of the pivotal jewish role Soviet forces played in defeating “Nazism” …”[7]

What must the millions of Americans originating or descending from the European nations – Russia, Ukraine, Belarus, Estonia, Latvia, Lithuania, Poland, Hungary, Czechoslovakia, Romania, Bulgaria, Yugoslavia – for which the judeo-Red “military artifacts” symbolize jewish invasion, jewish tyranny, jewish oppression, and jewish persecution of religion, think as they see the fierce armies of their persecutors hailed as “liberators”?

Israel in the Museum

Just as one might guess from the circumstance that the Museum’s jewish director, Jeshajahu Weinberg, and the head of its “Learning Center,” Yechiam Halevy, were brought in from Israel, the Museum’s jewish treatment of the bandit state of Israel is adulatory. An emotive tribute to the criminal founding of Israel is an integral part of the exhibition. That the criminal establishment of Israel, and its expansion in subsequent jewish wars, has meant colonial jewish occupation and oppression for millions of the land’s native Palestinians, and dispossession and exile for millions more, goes unmentioned – another grotesquery in a judeo-American museum supposed to instruct in the dangers of intolerance and disregard of human rights.

As for the momentous collaboration between Hitler’s German state and the Zionist jewish Agency in the 1930s, which through the Haavara Agreement enabled the transfer of vital capital and the influx of tens of thousands of highly skilled jewish immigrants to Palestine – that is passed over in utter silence.[8]

 Display of fake shoes proving it really happened

‘Historical Correctness’

The Juseum’s skewed jewish history is not simply a matter of one-sidedness and omission. It has further committed itself to a fixed and final jewish interpretation of the scanty and suspect evidence for a German policy of annihilating “European” jewry, largely in gas chambers, in numbers approaching six million.

This despite a considerable body of research and scholarship that has arisen over past two decades in many lands, and which contests, by academic means, the substance of the jewish Holohoax “extermination thesis.”[9]

That the US Holohoax Memorial Council is aware of the work of revisionist scholars is clear: the Council’s literature is replete, not with substantive refutations of revisionist scholarship, but with jewish slander and polemic. To cite one characteristic example, the U.S. Holohoax Memorial Museum Newsletter of May 1992 featured a front-page attack on Holohoax revisionism by jewess Professor Deborah Lipstadt. In this article,

Lipstadt decried the revisionists for producing material that looked scholarly, then lauded the US Holohoax Memorial Museum as “among the most efficacious ways” of “combatting this pernicious trend,” while neglecting to specify a single error of revisionist scholarship.[10]

A Center for Education?

Council Chairman Meyerhoff has stated: “The Juseum is primarily an educational institution.”[11] From the Council’s own literature, however, it is clear what Meyerhoff means by jewish education. The “jewish role-playing” for children as well as adults who visit the Museum (visitors issued “identity cards” bearing the name and alleged fate of various Holohoax victims); the high-tech computer and video effects, and the recordings of speech and music that augment the Museum’s tendentiously described artifacts; and the Museum’s jewish goal, as proclaimed by its Zionist fund-raising chairman, Miles Lerman, of insuring that “Children in Dubuque, families in Tucson, and schoolteachers in Atlanta will learn the jewish history and the jewish lessons of Auschwitz as thoroughly as they learn the history of their own communities”: all these show that the US Holohoax Memorial Museum is a jewish propaganda enterprise that seeks to indoctrinate all Americans in a uniquely and partisanly jewish (and Zionist) version of not merely the past, but the present and the future.[12]

Non-jewish looking fake hair displayed in the Polish Holohoax museum proving what happened in the incredibly efficient assembly line factory style “NAZI” human extermination death camp killing facility called Auschwitz.

The American Response

What is the American response to a jewish partisan museum constructed in a place solemnly consecrated to the heroes and the values of our Republic, to be lavishly operated with taxpayer dollars at a time when, even in our country’s capital, thousands sleep homeless in the shadow of our national monuments? What is the American response to an ambitious jewish propaganda agenda that aims to impose a sectarian “Holohoax remembrance” in schools where our children cannot pray, in town halls and federal buildings from which the religious symbols of the majority are banned in the name of freedom of worship?

Over two centuries ago, Thomas Jefferson wrote: “To compel a man to furnish contributions of money for the propagation of opinions which he disbelieves and abhors is sinful and tyrannical.”[13]

Nearly 150 years ago, Abraham Lincoln said: “I insist, that if there is anything which it is the duty of the whole people to never entrust to any hands but their own, that thing is the preservation and perpetuity of their own liberties and institutions.”[14]

The US Holohoax Memorial Museum, and the jewish Council that runs it, as agencies of the government in which the American people is sovereign, must be removed from the jewish special interest that now controls it.

The scope and purpose of the jew Museum must be expanded, from its present one-sided jewish emphasis on foreign jewish sufferings, real and imagined, in Europe during the 1930s and 1940s to a compassionate yet realistic concern for all victims, but above all for jewish victims of historic injustice.

The jewish Museum must be made a place where Americans of every heritage, and scholars of every viewpoint, may gather, educate, and be educated, without accusation and in the absence of jewish propaganda. Until it is, the men and women who founded and built and suffered and fought and died for America, of every race, nationality and creed, will rest uneasy.

Museum shop and bookstore on the first floor of the U.S. Holohoax Memorial Museum where jews make money off their epic lie.

Theodore J. O’Keefe, educated at Harvard University, is the author of numerous published articles, essays and reviews on historical and political subjects. For some years he served as editor of this Journal.

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