Jew World Order

Personal thoughts on mind conditioning in pop culture

Disclaimer: This article is just my personal digest. There are many books and movies which could have also been brought to the table. I have personally chosen to talk about these particular stories, leaving other aside, because they somewhat meant something to me once. Honestly speaking there is not more to it. The reader is invited to contribute with his/her thoughts about other stories that he/she might find interesting. And yes, I have not included films like ‘The Matrix’, ‘They Live’ and ‘Terminator’, tough luck.

I think it was Robert Reyvolt who in one of his recent Incendiary Radio programs mentioned the word ‘Chrislam’. I remember having found this particular word some years ago in a book by Arthur C. Clarke entitled The Hammer of God (1993) if memory serves. From the wikipedia article:

…a religious sect called Chrislam, originally founded by a female veteran of the Persian Gulf War, believes that they can convert a human being into a few terabytes of computer information, and then transmit this data across space to Sirius (where they believe aliens reside); members of the sect also come to believe that the asteroid is meant to destroy the Earth.

I admit I ignore if Arthur C. Clarke had some kind of connection with some ‘inside knowledge’ on future events via certain ‘organizations’ (his brief interaction with Stanley Kubrik in the 1960s makes me think positively towards that conclusion). One thing is for sure, he was very keen on writing novels with similar ‘universalist’ overtones. One of the most important novels that comes to my mind is Childhood’s End (1953), which is a very interesting story indeed. Childhood’s End explores humanity’s transformation and integration with a cosmic ‘hive mind’, creepy as this might sound. It also gets into other themes such as man’s ‘inability to live in a Utopian society’, and the apocalyptic concept of ‘The Last Man on Earth’. The novel has a very similar approach to the The Day the Earth Stood Still movie in which a ‘race of aliens’ come to the Earth to ‘scold’ humans on their ‘misbehaviour’ and teach them about the consequences this misbehaviour is going to bring about to them. The Alien visitor in the aforementioned movie implies that without taking certain security measures to assure peace in the world the ‘human race won’t survive’… sounds familiar?

It is also interesting to take into account that Arthur C. Clark, among other things, was also a homosexual. I have always wondered if Science Fiction and homosexuality have some kind of bizarre relationship for some reason. The world of science fiction has always been a place where Jews have thrived as well, from varied people like Leonard Nimoy, George Pal and Isaac Asimov to Forrest J. Ackerman and many others. The universalistic ideas for the ‘Goyim’ have always been omnipresent there, especially in movies and novels with space themes (as the ones I have mentioned). Science Fiction has been the perfect Trojan horse to spoon-feed such ideas to the masses. ‘Indoctrination through entertainment’ as someone would rightly put it.

Molding your mind

Since these kinds of brainwashing agendas are ALWAYS multipurpose the other big issue that comes to mind when talking about future and space themes is the subject of ‘predictive programming’, especially when talking about dystopian films, which is a very fertile ground for such concepts. This is the mainstream definition that is given by Jew-controlled wikipedia on the subject:

Predictive programming is a recurring element across many conspiracy theories. The claim is that when conspirators plan a false flag operation, they hide references to it in the popular media before the atrocity takes place; when the event occurs, the public has softened up, and therefore passively accepts it rather than offering resistance or opposition. [sic]

I personally think this so-called ‘predictive programming’ could also be about keeping the masses in a constant state of fear. It all comes down to this; fear is the ultimate weapon. This article is not about psy-ops though, as I want to concentrate my attention on popular culture this time, particularly movies.

From a personal perspective, my most significant ‘experiences’ with predictive programming in popular culture came from watching films mainly from the 1970s, and later on from the 1980s, which is the period in which, as I child, I had obviously a very impressionable mind. The 1970s are especially remarkable for a number of reasons. This was the period after the very Utopian flower-power, ‘antiwar’, hippie movement exploded (reaching its climax in the so-called ‘Summer of Love’ of 1967), which was another sort of Trojan Horse created by the CIA to deliver the last coup de grâce to the ‘old American system’ set in place. In this line of thought I would recommend reading my article on this subject entitled The Flower Power Conspiracy published on Renegade Tribune in December of last year, in which I talked about Dave McGowan’s book Weird Scenes Inside The Canyon: Laurel Canyon, Covert Ops & The Dark Heart Of The Hippie Dream (Headpress 2014). As many of us know perfectly well, after this so-called ‘Summer of Love’ came the Manson murders, Altamont, the introduction of hard drugs in the counter-cultural scene, the continuation of the Vietnam War, the deaths of Janis Joplin, Jim Morrison, Brian Jones, and the whole nine yards. Suddenly the future stopped looking so bright and rosy. It was not the idyllic Utopian world the flower power generation once hoped for any longer. It was instead a gradual controlled demolition of our psyche through ‘fear of the future’, using media tools to re-shape our thoughts in the ‘right’ direction.

Welcome to Dystopia

One thing I like about old movies is that the perspective of time (talking in restrospective) makes the whole thing all the more fascinating. Some of these films I’m talking about here are pretty well known, others not so much. One of the movies that left a mark in me most deeply was doubtlessly Soylent Green (1973) loosely based on the novel Make Room! Make Room! (1966) by Harry Harrison. Soylent Green is a thriller based in a dystopian future where pollution, overpopulation, depleted resources, rampant poverty, dying oceans and climate change have made the world pretty much unlivable for its inhabitants. Most of the population survives on rations produced by the Soylent Corporation, whose main product is ‘Soylent Green’, a green wafer advertised to contain ‘high-energy plankton’ from the world’s oceans. An investigation performed by the main character of the story (Charlton Heston as Detective Frank Thorn) leads him to discover that the so-called product is basically made out of human corpses. The oceans are not producing any plankton anymore; in fact the Earth is dying.

This story pretty much echoes what is going on these days with the fact that some corporations are using human DNA in the food they produce. To illustrate this there are a number of articles on the net talking about this particular subject, like Human DNA found in hot dogs 10% of veggie dogs made with meat but private genomics lab censors brand names to appease food industry.

This film contains other interesting bits like the extreme contrast between the poor and the rich, with the latter being able to afford living in luxury accommodations equipped with human mistresses called ‘furniture’ (a codeword for shiksa?). It also contains a scene in which Jewish actor Edward G. Robinson dies, while he actually died two weeks after filming ended. The death scene shows the protagonist seeing nature (on screen) for the first time in his life. Needless to say I recommend watching this particular movie to those very few souls who have not seen it yet.

Dealing with the subject of robotics and bionics there are certain movies coming from the same era that are kind of essential watching, namely Westworld (1973) and Futureworld (1976). Both are based in the concept of ‘rise of the robots’ but in the context of entertainment industry. The recent events concerning Microsoft’s Tay Chatbot on twitter looks like a harbinger of things like this to come. This futuristic Frankenstein’s myth is much more deeply and seriously explored in Blade Runner (1982) though.

Blade Runner is somewhat based on the novel Do Androids Dream Of Electric Sheep? By Philip K. Dick (1968). The film adaptation depicts a very multicultural Los Angeles of the future in which people have been atomized to the extreme in the midst of a very dark and contaminated post-nuclear war world. This is the place where genetically engineered ‘replicants’ (which are visually indistinguishable from humans) are manufactured by the powerful Tyrell Corporation. The use of these replicants on Earth is verboten; they are exclusively used for dangerous tasks on off-world colonies like Mars. Replicants who break the law and return to Earth are ‘retired’ forcibly when discovered by special police operatives known as ‘Blade Runners’. The movie’s plot focuses on a group of Replicant escapees hiding in L.A. City and on the investigation led by veteran blade runner Rick Deckard (played by Harrison Ford) who agrees on hunting them down as a final assignment. In the book he gets paid for each assignment he headhunts.

Both movie and book focus on the psychological and moral implications that the use of force to kill these creatures (Replicants) might imply, as well as where the line between human and machine (or ‘biological machine’ in the movie) starts blurring. Though this particular issue is more accentuated in the book, the celebrated final scene in the film played by Rutger Hauer (Roy Batty in the story) gives us a glimpse of what ‘humanity’ might be all about. Another feature that is exposed is the lack of empathy to other creatures that is displayed by these Replicants (Androids in the novel), a feature which is an intrinsic part of the human experience.

In this particular instance it is suitable to mention the YourNewsWire.com’s article Robot Apocalypse? Artificial Intelligence Now Able To Reproduce in which the author talks about robots being able to reproduce themselves like humans. I wonder if Philip K. Dick ever grasped this concept, even in his most drugged out phase.

But if there is a movie that depicts future technological events in the most clairvoyant of ways, it is the pretty well-known Robocop (1987). The themes that this movie explores sound way too familiar to ignore: political corruption, corporate authoritarianism, super-privatization, rampant capitalism, Big Media influence on every aspect of life, but most importantly, bionics. The film is set in Detroit, a city on the verge of collapse due to its stagnant crime. The mayor of the city signs a deal with the mega-corporation ‘Omni Consumer Products’ (OCP), giving it complete control of the underfunded Detroit Police Department. In exchange, OCP will be allowed to turn the run-down sections of Detroit into a high-end utopia called ‘Delta City’, which will function as an independent city-state, free of the influence of the United States government (kind of like Vatican City, I guess). OCP senior president proposes replacing the police with the ED-209 enforcement droid.

We have recently seen the new bots China has started manufacturing. Articles like China Has Launched the Robocops You Have Been Waiting For give a very specific account on this issue.

The Nightmare Continues

It would be a bit redundant for me to talk about either 1984 or Brave New World (both film versions and books) in this article, especially since so many words have been written over the decades on these two masterpieces of dystopian prediction. However, there is a recent article which sheds some light over the blurring line between dystopian fiction and reality entitled US Congress To Build Real ‘Ministry Of Truth’.

Also worth mentioning is the recent article on Renegade Tribune entitled Why Google Wants to Surgically Implant a Camera in Your Eye. They are now a technological step ahead of ‘Big Brother’ and the proverbial all-seeing eye (no pun intended); nothing more, nothing less.

Somebody said of the Soviets that they used 1984 as a ‘template’ of sorts; this was dismissed as fallacious way down the line, but seeing what it is happening at this day and age, one does not cease to remind oneself of the fact that The Protocols of The Elders of Zion were also deemed as a ‘work of fiction’ by its (((detractors))).

Brave New World has been adapted to the small screen twice, never for the big screen (I wonder why that is). In my opinion the most interesting version is the first adaptation from 1980. There is an scene in the second part of the movie in which the protagonist freaks out in a theater when he sees himself on the screen [Brave New World (1980) Part 2 on Youtube – 28:17 minutes in]. This is a feature which cinemas in this ‘Brave New World’ offer, apparently to make the viewer identify himself/herself with the heroes of the story. I wonder if this is a glimpse of something to come in the future. I remember being very triggered by it when I saw this particular scene so many years ago. It was very scary to me for some reason.

The multiculti overtones of this movie version (which reflects pretty well what is described in the original book) are also quite revealing. Brave New World is full of striking details; after all, who would have imagined the concept of ‘synthetic music’ in 1932 had not it been for the fact that the author of the story could have been connected to some kind of ‘inside information’?

The film Rollerball (1975) depicts the ‘not too distant future’ global corporate world of 2018 in which everything is owned by a few controllers who run an energy corporation based in Houston, in charge of dealing with nominally-peer corporations that control access to all transport, luxury, housing, communication, and food on a global basis. As the tagline on the film’s poster states ‘Wars will no longer exist but there will be Rollerball’. Don’t the Protocols mention something about mass entertainment very similar to this?

There is a very interesting scene in this movie that has always caught my attention. In it the main character (played by Jewish actor James Caan) pays a visit to the site where the ‘World’s Brain’ resides. It is a giant super-computer that stores all the knowledge of the ages. In this scene the protagonist is informed that ‘poor 13th Century has been all wiped out by accident, though not much has been lost in that century. Just Dante and a few corrupt popes’. Talking about gaps in our recollection of mankind’s history.

Population Control

Dealing with the subject of ‘population control’ we find movies like the semi-obscure Z.P.G. (Zero Population Growth) (1972), inspired by the book The Population Bomb by Paul R. Ehrlich. The film depicts, in a very dismal way, a polluted and overpopulated future Earth in which its Big Brother type world government executes those who violate a 30-year ban on having children. Breaking this law will mean the execution of both the parents and the baby. This is somewhat reminiscent indeed of China’s one-child’s policy, though in a more dramatic way, but it is also a harbinger of things to come if we allow certain degenerate criminals to run the show.

On this subject we find movies from the same time-period like Logan’s Run (1976) and THX 1138 (1971), the latter directed by then unknown director George Lucas of Star Wars fame. In Logan’s Run we find the world of the year 2274 in which a society is basically formed by remnants of human civilization who live in a sealed city beneath a cluster of geodesic domes. It is a Utopian world run automatically by a central computer that takes care of all aspects of life, including (of course) reproduction, very much like in Brave New World. The citizens live the mambo-jambo hedonistic lifestyle, but there is a catch: to maintain this artificial society everyone must go through the ritual of ‘Carousel’ when they reach the age of 30. This so-called ritual is basically a disguised ‘rite of passage’ (actually an execution) in which the population is made to believe its ‘initiates’ (victims) are ‘purified’ and ‘renewed’ to a new realm of existence. In actuality they are literally vaporized. Those who are able to see through all this deceit and attempt to leave the city by all means are called ‘Runners’ in the movie. The main character (‘Logan 5’ played by Michael York) is one of them.

On the other hand THX 1138 depicts a subterranean-looking world in which control through android police officers (again the same theme) and mandatory use of drugs that suppress all sorts of emotions (including sexual desire) is the rule of law. The concept of ‘family’, as in Brave New World, has been completely dismantled. This society is heavily monitored through cameras installed everywhere, keeping surveillance on its slave-citizens on a 24/7 basis by the nanny-state-like government.

Well… I think all this sounds more than just ‘familiar’ in today’s context, huh?

Afterthought

Going back to the main purpose of this article I would like to say that The Jew has been very skillful in creating some kind of ‘alternative reality’ or ‘false reality’ through psychological methods, mixing real events, synthetic events and pure fantasy into the mix to create this supposed ‘reality’ we are all mired in. Like some pundits of the so-called ‘Alternative Media’ do, the trick is to deliver 50% (or less) of truth with 50% disinfo; in this case 50% reality mixed with 50% wild speculation. Those who have control of the media have control of what people ‘think’ they think, so it is safe to say that those who have The Power shape reality the way they wish. They are also the masters of mass-psychology as the readership knows. Remember Edward L. Bernays’ Propaganda (How The Media Molds Your Mind) published in 1928.

But since these ‘Elites’ also live in a world of their own I do not know to what extent they have ended up believing the deception they have themselves created (concerning the myth of the ‘Chosen Ones’ and their ‘Goyim-slaves’). I sincerely would like to find out about it. These recent events connected to the opening ceremony of the World’s longest tunnel in Switzerland should speak volumes about how these ‘Elites’ think, especially now that we seem to be reaching some kind of ‘singularity’ in our dying Western World.

References:

– Rise of the Trollbot by Rosemary Pennington – National Vanguard (April 18th, 2016)

– Robot Apocalypse? Artificial Intelligence Now Able To Reproduce by Sean Adl-Tabatabai – YourNewWire.com (June 2, 2016)

– China Has Launched the Robocops You Have Been Waiting For by Charlie Campbell – TIME (April 26, 2016)

– Human DNA found in hot dogs 10% of veggie dogs made with meat but private genomics lab censors brand names to appease food industry by Mike Adams – Natural News Network (Monday, October 26, 2015)

– How Much Of What You Consume Is Made From Human DNA? by Sally Painter – Top Secret Writers (December 3rd, 2013)

– *MUST SEE* Human DNA found in Meat, Rodents and Fast Food (Youtube) by ImmaAMENTIgoddess | Published on Oct 25, 2013

– 1984 is NOW, US Congress To Build Real ‘Ministry Of Truth’ by Sean Adl-Tabatabai (May 31, 2016) Before It’s News

– Massachusetts House Passes Bill Legally Abolishing Biological Sex by Al Perrotta (June 2, 2016) STREAM

– Opening Ceremony Worlds Largest Tunnel Was a Bizarre Occult Ritual by The Vigilant Citizen (June 3, 2016)