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February 9th, 2016 
Awake Goy The human soul craves for beauty. That little voice inside of us, which we call by different names, craves for beauty. No amount of material wealth can satisfy that human need which, in many cases, is just as necessary for the soul as breathing is for the body.
Depression is a plague of this Modern World, it is the ultimate ‘modern disease’. As we know many cases of depression can be effectively cured, others can end in suicide. Ironically enough some of these poor souls might end up not knowing why they were depressed in the first place (‘I don’t know why I cry’). These men and women might have good jobs, good partners and even children, but unfortunately for them there is only this black hole at the end of the tunnel in this ultra-mechanized existence.
People have been robbed of beauty. Ugliness is everywhere to be seen but not supposed to be felt since, from an strictly utilitarian standpoint, beauty is a useless ‘commodity’. So why invest in beauty? Why even pay attention to such an abstraction? The soul, on a subconscious level, rebels against this horrifying ordeal. Depression, in some cases, could be a symptom of this inner conflict.
A world without beauty is a world in which we become eternal lost children, constantly searching for our way back home, back to the womb, back to limbo.
… This was the Enlightenment’s vision which described our world as though there was no place in it for gods and spirits, no place for values and ideals, no place for anything save the regular clockwork movement which turned the Moon around the Earth, and the Earth around the Sun for no purpose whatsoever.’ ~ Roger Scruton in ‘Why Beauty Matters’ (BBC 2009)
Myth and traditions, which in themselves are manifestations of the race-soul, are a direct offspring of beauty. The Goddess of Beauty thrives in these representations not only because they are organic and eternally alive, but also because they come from the soul. Each European ethnicity mirrors this concept of beauty in slightly different ways, which in itself creates the true cultural diversity we fight to preserve at this day and age.
But in this last civilization of the dissolute man ugliness reigns supreme under the banner of ‘aesthetic relativism’ (i.e. ‘what is ugly is beautiful and vice versa’), false equality and ‘tolerance”. This Jewish Empire of Death has made of ‘tolerance’ a sort of ‘Pallas Athena’ for itself, but this other ‘goddess’ (who in actuality is nothing but a whorish devil) does not represent truth, it represents the ultimate lie. We have zero-tolerance for this so-called ‘tolerance’ which in itself is a vehicle for ugliness. The aesthetic ‘values’ of The Other are not our values, no matter how hard this Jewish Empire of Death forces this toxic slime down our throats. The Soul ultimately fights against it because, as an antibody, it cannot tolerate it.
Most Hollywood movies people watch these days, most modern architecture, modern art (as it is established), so-called mainstream ‘pop music’, are part of a compendium which focuses its attention primarily on being a blatant attack against the human condition. Only a mind hell-bent on debasing life would have conceived such a despicable monstrosity.
![Modern Art at The National Gallery of Denmark, Copenhagen (Photo by Author) [Composite]](http://renegadetribune.com/wp-content/uploads/2016/02/Modern-Art-at-The-National-Gallery-of-Denmark-Copenhagen-Photo-by-Author-Composite.jpg)
That day the classical art gallery was pretty much crowded unlike the modern art gallery of this museum which was utterly deserted. Hardly surprising.
Pointless excrement as ‘art’.
The mentally deranged Chapman Brothers know how to debase the human body for shock value.
The Trellick Tower in North Kensington, London (started in 1966 and finished in 1972) is a ‘masterpiece’ of architectural terrorism, designed by Ernő Goldfinger, a Hungarian Jew.
Paradoxically enough, this capitalist System relies on beauty (specifically white woman’s beauty) to sell their products to the masses, be it through advertising campaigns, ‘romantic’ sitcoms made in Hollywood, celebrity events, etc., but this ‘beauty’ is the alluring beauty of the prostitute (check any female pop-singer these days). Like love, beauty requires a spirit to ‘animate’ it. Beauty requires depth and yet it can be found in the most trivial of things. People who are attuned to it can decode this message, like some primeval language created by the Highest. One could state that ‘God speaks through beauty’.
… but Art turned its back on beauty, it became a slave to the consumer culture feeding our pleasures and addictions and wallowing in self-disgust. That, it seems to me, is the lesson of the ugliest forms of modern art and architecture, they do not show reality but take revenge on it, spoiling what might have been at home and leaving us to wander unconsoled and alienated in a spiritual desert.’ ~ Roger Scruton in ‘Why Beauty Matters’ (BBC 2009)
All in all, I’m convinced in the end true Beauty will triumph, because Beauty is a principle which belongs to a higher order. One way or another this Jewish Empire of Death will eventually fail in its intent to debase the human soul because it cannot subjugate it, it can only destroy it (via chronic materialism, miscegenation, dysgenics, genocide, etc.), just like a parasite destroys its host eventually if the host is too weak and not willful enough to systematically get rid of this lethal parasite in time.
This is a war of beauty against ugliness, and in this fight there will be only victory or death. May the Goddess Victoria be favourable to us.
References:
– Roger Scruton: Why Beauty Matters (2009) BBC documentary
– Trelick Tower – Wikipedia
– Jake and Dinos Chapman – Wikipedia
Source Article from http://renegadetribune.com/a-cure-for-the-diseased-soul/
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