Jew World Order

In light of the long awaited revelations of sexual abuse in Hollywood finally being reported ESPONDA PRODUCTIONS presents AN OPEN SECRET for free for a limited time.

Our goal is to get a Netflix or Amazon to step-up and buy this and get this out around the world which is far better than we can and to help fund a foundation.

This is a film about the sexual abuse of children in the entertainment industry so if you want to see just how organized the Zio-Pedo network is out in Hollywood, WATCH THIS FILM. It’s pretty uncomfortable to watch, but it’s a must see Red Pill movie for people that don’t know just how messed up Satanic Zio Hollywood really is.

Adventures in TV reports:

Directed by Deliver Us From Evil‘s Amy Berg, An Open Secret tells the story of 4 young men who say they were abused by men connect to a powerful network of influential Hollywood predators. Successful talent agents, directors, investors and casting agents are all named as being part of the paedophile ring.

Much of the alleged abuse catalogued in An Open Secret centres on an early web TV company called Digital Entertainment Network (DEN) and its owners Marc Collins-Rector, Chad Shackley and Brock Pierce.

DEN co-founder and convicted sex-offender, Mark Collins-Rector

Entertainment moguls David Geffen, Michael Huffington and others invested $150 million into the company which aimed to create content target at the “global youth audience”. Collins-Rector had made millions with early internet ventures in the ’90s.

Collins-Rector lived with DEN co-founder and boyfriend Shackley, whom he met as a 15 year-old, together with former child star Pierce, in a sprawling mansion – called the M&C Ranch (Marc and Chad) in Encino, California. This is where the paedophile parties, where DEN’s teenage stars were passed between older men, are alleged to have take place.

Brock Pierce, DEN co-founder and housemate of Collins-Rector and Shackley

Described in the documentary as a proto-Netflix, DEN intended to generate unique programming for dispersal on its site. However, it was doomed to fail since the early internet did not have the capability to fulfil streaming requirements for such an admittedly forward-thinking project.

One such programme mentioned in the documentary was 1998’s ‘Chad’s World’. Co-written by Collins-Rector, produced by Pierce, and loosely based on Shackley’s life, the show followed a sexually confused boy who goes to live with his wealthy older brother and his rich boyfriend.

Chad’s World (which features American Pie’s Seann Williams Scott as the character apparently based on Collins-Rector) which was also filmed at the M&C mansion, is described as “art imitating life”.

Three men speak out about their abuse on camera, while the story of another who was allegedly abused is discussed by his parents.

In heartbreaking archival footage shot during the time of the abuse, the misery is plain on the face of one victim (‘Nick S’) who nonetheless tells the camera how “wonderful” an experience working with DEN is. His expression is that of a child in conflict.

Nick S, in archival footage from DEN

“It was as though they were from the industrial home for the blind…”

Lending credence to claims of a powerfully connected paedophile network is the fact that attempts to enact safeguards which would protect child actors have been met with resistance.

When a SAG (Screen Actors Guild) Young Performers committee responsible proposed circulating a memo asking if any of their members had been abused by acting coach Bob Villard (convinced of child sex offences in 2005), one member, Michael Harrah, “vehemently” opposed the move.

Harrah, a ‘child talent manager’ explains his opposition to Berg – and unwittingly articulates a singularly significant factor in the silence surround abuse – by claiming: “I don’t know that we’ve “hidden” them [abuse claims]. I would think you would want to…not hide it, but you would want to protect the child whose identity is going to come out. A situation like this never helps anybody and, yes, the sooner we can get it under control the better, but the less the child has to live with the stigma of it having happened I think it’s better for them not only career-wise, but personally.”

In the documentary, victim Joey C confronts former Child Talent agent Harrah about his attempt to molest him as a child

Until as recently as 2012, managers, photographers, acting coaches and other professionals in the entertainment industry that represent minors were not required to prove that they were not sex offenders.

Even when victims do come forward, studios work hard to quash stories. The story of Brian Peck, an acting coach and friend of Bryan Singer, is held up as an example.

Peck, who coached on many Nickelodeon’s shows, was accused of abuse by one of the network’s major child stars. The anonymous child filed charges against Peck, to which he almost immediately pled guilty.

Clearly he, or the studio, did not want an investigation to continue. The victim remained anonymous in order to protect their career.

Berg and Evan H, one of the few victims to have successfully prosecuted his abuser, Marty Weiss

Citing the fact that not a single child star has spoken out about their abuse and continued to work afterwards, Ann Henry, co-founder of BizParentz, a non-profit corporation providing education, advocacy, and charitable support to parents and children engaged in the entertainment industry, tells Berg: “A kid that wants to speak out and say what happened to them beyond their family, would truly have to give up their career.

“It’s very sad that that’s the case but it’s the reality.” Peck, according to the documentary, continues to work on children’s TV shows, despite having been convicted of a child sex-offence.

But Peck is just the tip of the iceberg, says Henry, the bulk of which remains hidden as so many overwhelmingly powerful forces prevail upon it.

With the exception of Collins-Rector, Shackley, who now runs a computer shop and Pierce, who is a Bit Coin investor, many of the other alleged abusers: Brian Peck, Marty Weiss, Bryan Singer continue to work in the entertainment industry.

Their victims, whose lives are littered with alcohol, mental health and substance abuse issues, do not.

Michael Egan

Strangely, director Berg refused almost all requests for interviews promoting the movie, which led to her being sued last year by producers. (One rare interview Berg gave about the movie can be found here.) She was accused of not only refusing to help market the film, but also of delivering the movie late and “in poor shape.”

One reason for Berg’s refusal to participate in post-release publicity could centre around alleged changes made to the movie by producers – without Berg’s consent – after the veracity of one of the abuse victims, Michael Egan, was called into question.

Scenes in which Egan had named Bryan Singer as one of his abusers were removed after Egan’s case against Singer collapsed.

Director Amy Berg

Whatever the truth, it is a sad fact that wherever there are children there will be those willing to prey on them and unfortunately Hollywood – much like the Catholic Church in Berg’s excellent Deliver Us From Evil – offers fertile ground for such abuse.

The reluctance towards acknowledging the extent of the problem, coupled with an apathy around naming and punishing perpetrators is worrying.

It is for these reasons that ‘An Open Secret’ is a worthwhile, if not troubling, piece of work.

In light of the Harvey Weinstein scandal the makers of An Open Secret have posted the movie on Vimeo for free for a limited time. Catch it while you can.

DO YOUR PART, WATCH AND SHARE THIS FROM THIS WEBSITE. THANK YOU.

AN OPEN SECRET. Official PG-13 version. Copyright Esponda Productions LLC #AnOpenSecret from Matt Valentinas on Vimeo.

IF YOU CANNOT ACCESS THE ABOVE VIDEO ON VIMEO, WATCH THE DOCUMENTARY HERE ON YOUTUBE: 

AN OPEN SECRET [YOUTUBE]