jews Are Punks

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jews Are Punks

September 23rd, 2022

Awake Goy

Let’s give credit where credit is due…. Punk Rock is the product of Jewry! #ThanksJews

In alignment with the Jewish Talmud…

All Gentile children are animals.” -Talmud (Yebamoth 98a)

And in harmony with the Jewish “Protocols of the Elders of Zion”…

Seduce & demoralize the youth with false doctrines.” -Protocols

And in accords with the Jew’s Group Evolutionary Strategy that undermines the cohesion of gentile populations…

Punk Rock was and is an anti-White weaponized cultural weapon.

I guess I liked Punk because it was a chance to f*** with the heads of a predominantly gentile establishment.” -Famed Music Journalist, Charles Shaar Murray (Jew)

According to the Jewish publication Moment Magazine, “Punk rock was a movement which concerned itself with the present. Its hallmarks were rock ‘n’ roll, a do-it-yourself attitude and a good sense of humor. As it spread from the U.S. to the U.K., it would also come to include a distinctive political sensibility. Many of the early punks were young people who actively sought to distance themselves from their upbringings, from any kind of ethnic ties, and to form new identities through their art.”

Note: The majority of Punk followers were and are young White people and it was and is in the great interest of Jewry that these kids “distance themselves from their (White) upbringings, from any kind of (White) ethnic ties, and to form new (anti-White) identities through their art.”

Punk Rock is an aggressive form of Rock Music that coalesced into an international movement in 1975–80. Often politicized and full of vital energy beneath a sarcastic, hostile facade, Punk spread as an ideology and an aesthetic approach, becoming an archetype of TEEN REBELLION and ALIENATION.” -Britannica

The Jewish “Momement Magazine” notes…

“From its origins with Jewish musicians in the 1970s to modern-day Jewish Punk bands, the histories of Jewish culture and Punk Rock are deeply intertwined.

Many of the people involved in the original punk scene in 1970s New York were the children of working and middle-class Jews. Their backgrounds ranged from overtly religious to secular and culturally Jewish, but all of them were formed by their Jewish backgrounds and would in turn bring those influences to their music and performances.

These included not just musicians, such as Joey and Tommy Ramone, Chris Stein of Blondie, Lenny Kaye of the Patti Smith Group, Richard Hell, and all of The Dictators, but also managers, photographers, club owners and more.

Punk might not exist as we know it without the Jewish club manager Hilly Kristal, founder and owner of CBGB, the club where many New York punks performed for the first time. Nor would it have made it to the U.K. without Jewish manager and Sex Pistols founder Malcolm McLaren. Jewish record company executives like Seymour Stein recorded the music, while Jewish photographers like Bob Gruen documented the scene for posterity.

However, despite the large Jewish presence in early punk, many were reluctant to discuss their Jewish heritage. Like many Jewish entertainers, quite a few punks took on less Jewish-sounding stage names, while others had their names changed by their parents in childhood, in order to better fit into the American middle class, which was the cases with Lou Reed (Rabinowitz). Some even went as far as denying or refusing to discuss their Jewish heritage.

This seemed to be the predominant belief among punks of the 1970s on both sides of the Atlantic. Jewish culture was rarely at the forefront of punk music, even if its creators were quietly Jewish behind the scenes.

Something that did become part of the imagery for many early punks was Nazi imagery. Young punks were known to wear swastikas and, particularly in the New York scene, collect Nazi memorabilia.”

Note: The term “Nazi” is a derogatory term to denigrate the proud legacy of German National Socialists. Punk Rock’s use of “Nazi” imagery was an obvious attempt by Jewry to publicly associate White Punk Rock followers with “Hate” driven music & culture.

“Starting in the 1980s, Punk underwent a series of musical and cultural changes. By this point, many of the best-known original punk bands had either broken up or evolved their sound to fit Punk’s new commercial market. However, their early work had permanently changed the music world, especially for young people, with new Punk bands arising and the genre spawning new offshoots such as post-Punk and New Wave. Punk was disseminated beyond its original scenes, leading the musical style to be adopted for new purposes.”