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May 18th, 2012 
FAKE NEWS for the Zionist agenda
He worked with numerous composers, notably Hans Werner Henze and Benjamin Britten.
He sang in the premiere of Britten’s War Requiem at Coventry
Cathedral in 1962, and in 1978 appeared as King Lear in Aribert’s Reimann’s
opera Lear, one of several roles created specially for him.
Fischer-Dieskau’s last operatic role was Falstaff, in 1992, and he retired
from the concert platform the following year. But he continued to lead a
hectically busy life as lecturer and author of, among other things, a study
of Nietzsche’s relationship to Wagner. In his later years he observed
stoically that he was being forgotten, but the constant reissue of his
recordings on CD suggests otherwise. For young singers like Ian Bostridge he
is still the model to aspire to. And for those of us who love art-song, his
recordings are like a companion one wants to keep for life.
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